Breeding in Pieces performance at ICMC

September 18, 2014; International Computer Music Conference; Athens, Greece

Comments are closed.

Featured

Mixing AI with Music & Literature

By Jessica Messier; March 4, 2019
Stylistic Alchemies Review: Massimo Ricci. Touching Extremes.
Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments

S. Kemper, S. Barton (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
A Robotic Percussive Aerophone

K. Sundberg, S. Barton, A. Walter, T. Sane, L. Baker, A. O’Brien (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
Using Recurrent Neural Networks to Judge Fitness in Musical Genetic Algorithms

P. Mitrano, A. Lockman, J. Honicker, S. Barton (2017). In proceedings of The 5th International Workshop on Musical Metacreation (MUME) at The 8th International Conference on Computational Creativity (ICCC). Atlanta, GA, USA.
Cyther: A human-playable, self-tuning robotic zither

S. Barton, E. Prihar, P. Carvalho (2017). Cyther: a human-playable, self-tuning robotic zither. In proceedings of The 17th International Conference on New Interfaces for Musical Expression. Copenhagen, Denmark.
Systematic Variation in Rhythm Production as Tempo Changes

Barton, S., Getz, L., & Kubovy, M. (2017). Systematic Variation in Rhythm Production as Tempo Changes. Music Perception: An Interdisciplinary Journal, 34(3), 303-312. We investigated the effect of tempo on the production of the syncopated 3-2 son clave rhythm. We recorded eleven experienced percussionists performing the clave pattern at tempi ranging from 70 bpm to […]
Creativity in the Generation of Machine Rhythms

S. Barton (2016). In proceedings from The 1st Conference on Computer Simulation of Musical Creativity. Abstract: This paper explores musical, psychological and philosophical ideas about how humans and machines interact in creative processes. It argues that creativity is a function of both generator and receiver, and that these roles can be amorphous in the creation and experience […]

Tweets

Join us on October 27th at historic @MechanicsHall for a concert of music and dance made by a human-robot ensemble.… https://t.co/Th88iZLaQG 6 days ago
Eat Less Plastic | Microplastics in Food https://t.co/nZpahvL1Ln 2 weeks ago
My musical robotics installation Machinic Tides will be on exhibit at the @WorcesterPopUp (20 Franklin Street) the… https://t.co/sgdkyhnaqt 2 months ago
For any of you that present research at poster sessions: https://t.co/gpWW5q3hpi 3 months ago
Artificial Composition: Music, Literature and AI @WPI https://t.co/y1vgcxbWPd 7 months ago

Follow scottbartonmusi on Twitter