2 channel recording
Scott Barton – guitar
Through the Rain started with a chord progression written on guitar many years ago. The progression, played on electric guitar, is reflected in a number of virtual instruments and effects, blurring the line between acoustic and electronic, played and sequenced. The first section of the work illustrates movement from dislocation -> synchronization (an idea also interpreted in Eroding Mountains). In the second section of the piece, the parts have coalesced and begin to move as a unified whole. This journey takes a variety of paths, retakes steps, and encounters ephemeral electronic weather systems. The storms and disorientation relent as it arrives, leaving a new idea, connected to the previous, that announces idyllic perpetuation.