Context-specific Knowledge Is the “Key” to Salsa Music
L. Getz, S. Barton & L. Perry (2021). Auditory Perception & Cognition, DOI: 10.1080/25742442.2021.1964341
composition – music perception – musical robots – audio production – teaching
L. Getz, S. Barton & L. Perry (2021). Auditory Perception & Cognition, DOI: 10.1080/25742442.2021.1964341
S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 505–508.
M. Sidler, M. Bisson, J. Grotz, and S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 297–300.
October 28, 2019; by Tyran Grillo; telegram.com
March 4, 2019; by Jessica Messier; The Herd
S. Kemper, S. Barton (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
K. Sundberg, S. Barton, A. Walter, T. Sane, L. Baker, A. O’Brien (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
P. Mitrano, A. Lockman, J. Honicker, S. Barton (2017). In proceedings of The 5th International Workshop on Musical Metacreation (MUME) at The 8th International Conference on Computational Creativity (ICCC). Atlanta,
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