Effusion performance at SEAMUS

April 20-22, 2017; St. Cloud State University; St. Cloud, MN

Comments are closed.

Featured

Cyther: A human-playable, self-tuning robotic zither

S. Barton, E. Prihar, P. Carvalho (2017). Cyther: a human-playable, self-tuning robotic zither. In proceedings of The 17th International Conference on New Interfaces for Musical Expression. Copenhagen, Denmark. Human-robot musical interaction typically consists of independent, physically-separated agents. We developed Cyther – a human-playable, self-tuning robotic zither – to allow a human and a robot to […]
Systematic Variation in Rhythm Production as Tempo Changes

Barton, S., Getz, L., & Kubovy, M. (2017). Systematic Variation in Rhythm Production as Tempo Changes. Music Perception: An Interdisciplinary Journal, 34(3), 303-312. We investigated the effect of tempo on the production of the syncopated 3-2 son clave rhythm. We recorded eleven experienced percussionists performing the clave pattern at tempi ranging from 70 bpm to […]
Creativity in the Generation of Machine Rhythms

S. Barton (2016). In proceedings from The 1st Conference on Computer Simulation of Musical Creativity. Abstract: This paper explores musical, psychological and philosophical ideas about how humans and machines interact in creative processes. It argues that creativity is a function of both generator and receiver, and that these roles can be amorphous in the creation and experience […]
“New Music Instruments Hackathon: Meet the Speakers” – I CARE IF YOU LISTEN

June 9, 2016
Original Gravity Podcast: Rise of a City

Join Original Gravity Artistic Director Keith Kirchoff and Public Relations Guru Greg Carlson (both exceptional brewers) as they design a unique, homebrewed beer that will aesthetically pair with Scott Barton’s Rise of a City, a piece for musical robot and guitar featured on our Summer 2016 Mystic Brewery concert.
MARIE: Monochord-Aerophone Robotic Instrument Ensemble

T. Rogers, S. Kemper, S. Barton (2015). In proceedings from The 15th International Conference on New Interfaces for Musical Expression. Abstract The Modular Electro-Acoustic Robotic Instrument System (MEARIS) represents a new type of hybrid electroacoustic-electromechanical instrument model. Monochord-Aerophone Robotic Instrument Ensemble (MARIE), the first realization of a MEARIS, is a set of interconnected monochord and […]
Extended Abstract for Drum Circle

S. Barton, S. Kemper (2015). Published in UTS ePRESS; March, 2015. The paper was presented at the International Conference on Social Robotics 2014. link to paper
“Robotic Music” – I CARE IF YOU LISTEN

March 2015; by Ronni Reich

Tweets

Those in Atlanta: I'll be doing a human-robot improv tomorrow night at the @MetaMusical concert https://t.co/VHiu0G0pIL 1 week ago
this chorus is so nice https://t.co/MiveRTvZsW 2 weeks ago
RT @mpr_lab: Meet the newest member of the orchestra: Glocky! https://t.co/yxd6RORQkL 3 weeks ago retweeted via mpr_lab
What's This? Just Listen: Using Sonification to Reveal Hidden Scientific Data https://t.co/02nXi5s6QT #STEMvideohall 4 weeks ago
Human-robot improvisation on Cyther, a human-playable robotic zither: Experiment in Augmentation 1 https://t.co/PMMcezcgUe via @YouTube 4 weeks ago

Follow scottbartonmusi on Twitter