Eroding Mountains performance at SEAMUS

March 26-28, 2015; SEAMUS (Society for Electro-Acoustic Music in the United States) Conference; Virginia Tech; Blacksburg, VA

Circularity in Rhythmic Representation and Composition

S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 505–508.
Parthenope: A Robotic Musical Siren

M. Sidler, M. Bisson, J. Grotz, and S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 297–300.
Mechanics Hall concert begs question, ‘Is there music without a human?’

October 28, 2019; by Tyran Grillo; telegram.com
Mixing AI with Music & Literature

March 4, 2019; by Jessica Messier; The Herd
Stylistic Alchemies Review: Massimo Ricci. Touching Extremes.
Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments

S. Kemper, S. Barton (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
A Robotic Percussive Aerophone

K. Sundberg, S. Barton, A. Walter, T. Sane, L. Baker, A. O’Brien (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
Using Recurrent Neural Networks to Judge Fitness in Musical Genetic Algorithms

P. Mitrano, A. Lockman, J. Honicker, S. Barton (2017). In proceedings of The 5th International Workshop on Musical Metacreation (MUME) at The 8th International Conference on Computational Creativity (ICCC). Atlanta, GA, USA.