Eroding Mountains performance at Sonic Voyages: MayDay concert

May 1, 2015; University of Bristol; Bristol, UK

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Mechanics Hall concert begs question, ‘Is there music without a human?’

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Mixing AI with Music & Literature

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Stylistic Alchemies Review: Massimo Ricci. Touching Extremes.
Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments

S. Kemper, S. Barton (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
A Robotic Percussive Aerophone

K. Sundberg, S. Barton, A. Walter, T. Sane, L. Baker, A. O’Brien (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
Using Recurrent Neural Networks to Judge Fitness in Musical Genetic Algorithms

P. Mitrano, A. Lockman, J. Honicker, S. Barton (2017). In proceedings of The 5th International Workshop on Musical Metacreation (MUME) at The 8th International Conference on Computational Creativity (ICCC). Atlanta, GA, USA.
Cyther: A human-playable, self-tuning robotic zither

S. Barton, E. Prihar, P. Carvalho (2017). Cyther: a human-playable, self-tuning robotic zither. In proceedings of The 17th International Conference on New Interfaces for Musical Expression. Copenhagen, Denmark.
Systematic Variation in Rhythm Production as Tempo Changes

Barton, S., Getz, L., & Kubovy, M. (2017). Systematic Variation in Rhythm Production as Tempo Changes. Music Perception: An Interdisciplinary Journal, 34(3), 303-312. We investigated the effect of tempo on the production of the syncopated 3-2 son clave rhythm. We recorded eleven experienced percussionists performing the clave pattern at tempi ranging from 70 bpm to […]

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