Human-Robot Improvisation: Cyther Performance at Expressive Engines Concert

Febrary 15, 2016; Expressive Engines Concert; Rutgers University; New Brunswick, NJ

Comments are closed.

Featured

Mixing AI with Music & Literature

By Jessica Messier; March 4, 2019
Stylistic Alchemies Review: Massimo Ricci. Touching Extremes.
Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments

S. Kemper, S. Barton (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
A Robotic Percussive Aerophone

K. Sundberg, S. Barton, A. Walter, T. Sane, L. Baker, A. O’Brien (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
Using Recurrent Neural Networks to Judge Fitness in Musical Genetic Algorithms

P. Mitrano, A. Lockman, J. Honicker, S. Barton (2017). In proceedings of The 5th International Workshop on Musical Metacreation (MUME) at The 8th International Conference on Computational Creativity (ICCC). Atlanta, GA, USA.
Cyther: A human-playable, self-tuning robotic zither

S. Barton, E. Prihar, P. Carvalho (2017). Cyther: a human-playable, self-tuning robotic zither. In proceedings of The 17th International Conference on New Interfaces for Musical Expression. Copenhagen, Denmark.
Systematic Variation in Rhythm Production as Tempo Changes

Barton, S., Getz, L., & Kubovy, M. (2017). Systematic Variation in Rhythm Production as Tempo Changes. Music Perception: An Interdisciplinary Journal, 34(3), 303-312. We investigated the effect of tempo on the production of the syncopated 3-2 son clave rhythm. We recorded eleven experienced percussionists performing the clave pattern at tempi ranging from 70 bpm to […]
Creativity in the Generation of Machine Rhythms

S. Barton (2016). In proceedings from The 1st Conference on Computer Simulation of Musical Creativity. Abstract: This paper explores musical, psychological and philosophical ideas about how humans and machines interact in creative processes. It argues that creativity is a function of both generator and receiver, and that these roles can be amorphous in the creation and experience […]

Tweets

Artificial Composition: Music, Literature and AI @WPI https://t.co/y1vgcxbWPd 3 months ago
RT @kboudreau2: Opinion | Please, students, take that ‘impractical’ humanities course. We will all benefit. https://t.co/UWunV3TVUf 8 months ago retweeted via kboudreau2
RT @BugejaCarl: This is my new actuator! Its made from a 2-layer flex pcb! https://t.co/I1SPQV8VkM 10 months ago retweeted via BugejaCarl
My album Stylistic Alchemies, 10 years in the making is out today! https://t.co/hgyMlQXhbS @PARMARecordings 10 months ago
One of the most thoughtful reviews of my work that I have encountered: https://t.co/EZcOqXUXXe 11 months ago

Follow scottbartonmusi on Twitter