Millennial Masters vol. 4 featuring Rise of a City has been released

for guitar and EMMI’s robotic instruments – PAM (poly-tangent string instrument), MADI (16-arm snare drum), CADI (modular percussion instrument playing darbuka, ice bucket, tambourine and djembe)

Recorded by Scott Barton, mixed by Scott Barton and Marc Urselli at East Side Sound, NYC

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Circularity in Rhythmic Representation and Composition

S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 505–508.
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M. Sidler, M. Bisson, J. Grotz, and S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 297–300.
Mechanics Hall concert begs question, ‘Is there music without a human?’

October 28, 2019; by Tyran Grillo; telegram.com
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March 4, 2019; by Jessica Messier; The Herd
Stylistic Alchemies Review: Massimo Ricci. Touching Extremes.
Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments

S. Kemper, S. Barton (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
A Robotic Percussive Aerophone

K. Sundberg, S. Barton, A. Walter, T. Sane, L. Baker, A. O’Brien (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
Using Recurrent Neural Networks to Judge Fitness in Musical Genetic Algorithms

P. Mitrano, A. Lockman, J. Honicker, S. Barton (2017). In proceedings of The 5th International Workshop on Musical Metacreation (MUME) at The 8th International Conference on Computational Creativity (ICCC). Atlanta, GA, USA.