Presentation of “Off the Integer Grid: Using Robots to Create New Rhythmic Identities” at the Timing Workshop, HRI 2014

March 3rd, 2014;

Bielefeld, Germany

Context-specific Knowledge Is the “Key” to Salsa Music

L. Getz, S. Barton & L. Perry (2021). Auditory Perception & Cognition, DOI: 10.1080/25742442.2021.1964341
Circularity in Rhythmic Representation and Composition

S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 505–508.
Parthenope: A Robotic Musical Siren

M. Sidler, M. Bisson, J. Grotz, and S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 297–300.
Mechanics Hall concert begs question, ‘Is there music without a human?’

October 28, 2019; by Tyran Grillo; telegram.com
Mixing AI with Music & Literature

March 4, 2019; by Jessica Messier; The Herd
Stylistic Alchemies Review: Massimo Ricci. Touching Extremes.
Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments

S. Kemper, S. Barton (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
A Robotic Percussive Aerophone

K. Sundberg, S. Barton, A. Walter, T. Sane, L. Baker, A. O’Brien (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.