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There’s a Persistent Hum in This Canadian City, and No One Knows Why

By CHRISTOPHER MELE, NEW YORK TIMES; FEB. 19, 2018

“Bots and Beer” – The Daily Herd

June 14, 2016; by Julia Quinn-Szcesuil

“New Music Instruments Hackathon: Meet the Speakers” – I CARE IF YOU LISTEN

June 9, 2016

“Robotic Music” – I CARE IF YOU LISTEN

March 2015; by Ronni Reich

“Full STE(A)M ahead” – Worcester Magazine

The article features projects from my course Making Music with Machines as well as the modular percussion arms built by the MPR Lab at WPI

Featured

Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments

S. Kemper, S. Barton (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
A Robotic Percussive Aerophone

K. Sundberg, S. Barton, A. Walter, T. Sane, L. Baker, A. O’Brien (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
Using Recurrent Neural Networks to Judge Fitness in Musical Genetic Algorithms

P. Mitrano, A. Lockman, J. Honicker, S. Barton (2017). In proceedings of The 5th International Workshop on Musical Metacreation (MUME) at The 8th International Conference on Computational Creativity (ICCC). Atlanta, GA, USA.
Cyther: A human-playable, self-tuning robotic zither

S. Barton, E. Prihar, P. Carvalho (2017). Cyther: a human-playable, self-tuning robotic zither. In proceedings of The 17th International Conference on New Interfaces for Musical Expression. Copenhagen, Denmark.
Systematic Variation in Rhythm Production as Tempo Changes

Barton, S., Getz, L., & Kubovy, M. (2017). Systematic Variation in Rhythm Production as Tempo Changes. Music Perception: An Interdisciplinary Journal, 34(3), 303-312. We investigated the effect of tempo on the production of the syncopated 3-2 son clave rhythm. We recorded eleven experienced percussionists performing the clave pattern at tempi ranging from 70 bpm to […]
Creativity in the Generation of Machine Rhythms

S. Barton (2016). In proceedings from The 1st Conference on Computer Simulation of Musical Creativity. Abstract: This paper explores musical, psychological and philosophical ideas about how humans and machines interact in creative processes. It argues that creativity is a function of both generator and receiver, and that these roles can be amorphous in the creation and experience […]
“New Music Instruments Hackathon: Meet the Speakers” – I CARE IF YOU LISTEN

June 9, 2016
Original Gravity Podcast: Rise of a City

Join Original Gravity Artistic Director Keith Kirchoff and Public Relations Guru Greg Carlson (both exceptional brewers) as they design a unique, homebrewed beer that will aesthetically pair with Scott Barton’s Rise of a City, a piece for musical robot and guitar featured on our Summer 2016 Mystic Brewery concert.

Tweets

My album Stylistic Alchemies, 10 years in the making is out today! https://t.co/hgyMlQXhbS @PARMARecordings 2 days ago
One of the most thoughtful reviews of my work that I have encountered: https://t.co/EZcOqXUXXe 3 weeks ago
I'm excited to announce my new album Stylistic Alchemies is going to be released on July 13th. It includes works th… https://t.co/95j6Ye8YQl 3 weeks ago
BIG THANK YOU @MarjorieDecker and @SpeakerDeLeo for championing a Red Flag bill for MA that will help protect all o… https://t.co/74yuV2A5Yc 2 months ago
RT @bebursten: Musical robots—how cool is that! @WPI Prof @scottbartonmusi showing off his mix of art and tech at our “Music and the Brain”… 3 months ago retweeted via bebursten

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