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  • Systematic Variation in Rhythm Production as Tempo Changes at APCAM 2016

    November 17, 2016; Poster presentation at the 15th Annual Auditory Perception, Cognition and Action Meeting; Boston, MA;

  • Opus Palladianum: Voice and Drums Performance at Festival Ecos Urbanos

    November 16, 2016; Mexico City, Mexico

  • Human-Robot Improvisation Performance at Opensound Concert Series

    November 12, 2016; Third Live Studio; Somerville, MA; Nate Tucker – percussion, Cyther (human-playable robotic zither), Robotic Percussion

  • Musical Robotics Presentation and Human-Robot Improvisation Performance

    October 7, 2016; Franklin Pierce University; Rindge, NH

  • Creativity in the Generation of Machine Rhythms

    S. Barton (2016). In proceedings from The 1st Conference on Computer Simulation of Musical Creativity. Abstract: This paper explores musical, psychological and philosophical ideas about how humans and machines interact in creative processes. It argues that creativity is a function of both generator and receiver, and that these roles can be amorphous in the creation and experience…

  • Rise of a City Performance at Original Gravity Concert Series

    August 11, 2016; Original Gravity All-Star Concert at Rising Tide; Portland, ME

  • Opus Palladianum: Voice and Drums Performance at the VU Symposium

    July 6, 2016; Park City, UT

  • “Bots and Beer” – The Daily Herd

    June 14, 2016; by Julia Quinn-Szcesuil

  • “New Music Instruments Hackathon: Meet the Speakers” – I CARE IF YOU LISTEN

    June 9, 2016

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