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  • Context-specific Knowledge Is the “Key” to Salsa Music

    L. Getz, S. Barton & L. Perry (2021). Auditory Perception & Cognition, DOI: 10.1080/25742442.2021.1964341

  • Mechanophore Performance at NIME

    June 16, 2021. NIME (New Interfaces for Musical Expression) Conference, 2021; Online and NYU Shanghai, China

  • Mechanophore

    2021 for virtual and robotic strings and percussion by Scott Barton   robotic instruments by WPI’s Music Perception and Robotics Lab and EMMI Mechanophore was inspired by the force-sensitive molecular units of the same name. As mechanophores are subjected to physical forces, they activate chemical reactions that can communicate their state (e.g. color change) or…

  • Tempo Mecho

    2019 for the robotic instruments PAM, modular percussion and percussive aerophone (built by WPI’s MPR Lab and EMMI) by Scott Barton A groove changes identity depending on the tempo it inhabits. Typically, there are small ranges within which a rhythm feels at home. Once there, a rhythm reveals the energy, detail and character of its…

  • Mechanophore performance at SEAMUS

    April 24, 2021. SEAMUS (Society for Electro-Acoustic Music in the United States) 2021 conference; virtual

  • Mechanophore performance at Multiverse Concert Series

    January 29, 2021. Art of Polymers Program; Multiverse Concert Series (virtual)

  • Human-Robot Improvisation at SEAMUS

    May 30, 2020. SEAMUS (Society for Electro-Acoustic Music in the United States) 2020 Conference; virtual

  • Human-Robot Improvisation with Nate Tucker

    March 9, 2020. Dance Complex; Cambridge, MA

  • Circularity in Rhythmic Representation and Composition

    S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 505–508.