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Context-specific Knowledge Is the “Key” to Salsa Music
L. Getz, S. Barton & L. Perry (2021). Auditory Perception & Cognition, DOI: 10.1080/25742442.2021.1964341
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Circularity in Rhythmic Representation and Composition
S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 505–508.
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Parthenope: A Robotic Musical Siren
M. Sidler, M. Bisson, J. Grotz, and S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 297–300. full text
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Mechanics Hall concert begs question, ‘Is there music without a human?’
October 28, 2019; by Tyran Grillo; telegram.com
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Mixing AI with Music & Literature
March 4, 2019; by Jessica Messier; The Herd
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Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments
S. Kemper, S. Barton (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA.
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A Robotic Percussive Aerophone
K. Sundberg, S. Barton, A. Walter, T. Sane, L. Baker, A. O’Brien (2018). In Proceedings of the 18th International Conference on New Interfaces for Musical Expression (NIME). Blacksburg, VA. full text
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Using Recurrent Neural Networks to Judge Fitness in Musical Genetic Algorithms
P. Mitrano, A. Lockman, J. Honicker, S. Barton (2017). In proceedings of The 5th International Workshop on Musical Metacreation (MUME) at The 8th International Conference on Computational Creativity (ICCC). Atlanta, GA, USA.
