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Intersections
for flute, clarinet, piano, violin, cello, tom-tom, PAM (robotic string instrument), and robotic percussion Fall 2014 – Spring 2015 commissioned by the Juventas New Music Ensemble Machine expressivity is often thought of as involving precision, speed, rhythmic complexity, non-idiomatic (for human performers) pitch patterns and replication. Human expressivity is often thought of involving groove, phrasing,…
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Musical Robots Presentation at the Boston Museum of Science
December 12-13, 2015; Boston Museum of Science; Boston, MA.
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Intersections Performance at MIT
November 21, 2015; Project Fusion; Killian Hall, MIT; Cambridge, MA. Performed by the Juventas New Music Ensemble.
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Intersections performance at Composing the Future concert
November 13, 2015; Spaulding Hall, WPI; Worcester, MA. Performed by the Juventas New Music Ensemble.
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Life’s Node Performance at the Boston Center for the Arts
September 26, 2015; Boston, MA; improvisation with Cyther (human-playable robotic zither) and Nate Tucker – percussion
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Human-Robot Improvisation and Presentation at NYC New Musical Instruments Hackathon
July 24, 2015; Spotify Headquarters; NY, NY
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MARIE: Monochord-Aerophone Robotic Instrument Ensemble
T. Rogers, S. Kemper, S. Barton (2015). In proceedings from The 15th International Conference on New Interfaces for Musical Expression. Abstract The Modular Electro-Acoustic Robotic Instrument System (MEARIS) represents a new type of hybrid electroacoustic-electromechanical instrument model. Monochord-Aerophone Robotic Instrument Ensemble (MARIE), the first realization of a MEARIS, is a set of interconnected monochord and…
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Musical Robotics Presentation at Touch Tomorrow
June 13, 2015; WPI; Worcester, MA
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MARIE: Monochord-Aerophone Robotic Instrument Ensemble paper presented at NIME
June 3, 2015; T. Rogers, S. Kemper, S. Barton. Paper presented by the second author at The 15th International Conference on New Interfaces for Musical Expression; Baton Rouge, LA.