-
Circularity in Rhythmic Representation and Composition
S. Barton (2020). Proceedings of the International Conference on New Interfaces for Musical Expression, Birmingham City University, pp. 505–508.
-
Creativity in the Generation of Machine Rhythms
S. Barton (2016). In proceedings from The 1st Conference on Computer Simulation of Musical Creativity. Abstract: This paper explores musical, psychological and philosophical ideas about how humans and machines interact in creative processes. It argues that creativity is a function of both generator and receiver, and that these roles can be amorphous in the creation and experience…
-
Extended Abstract for Drum Circle
S. Barton, S. Kemper (2015). Published in UTS ePRESS; March, 2015. The paper was presented at the International Conference on Social Robotics 2014. link to paper
-
Understanding Musical (dis)continuity
S. Barton (2012). Dissertation. Published by ProQuest. Abstract While our experience of musical (dis)continuity is often powerful and clear, articulating the relations that inspire such percepts is not always easy. Part of the reason for this is that our experience of musical (dis)continuity is influenced by a number of physical, cognitive and perceptual factors, and thus is complex.…