Summer – Fall 2009
2 channel recording
Breeding in pieces combines compositional and production practices from rock and electroacoustic music. The piece creates (dis)continuity and form through higher-level feature (here, genre) contrast. Here, compositional and production practices from rock and electroacoustic music are combined and contrasted to create a diverse set of textures and relationships. As a result, each section of the piece can be represented on a continuum defined by poles of synthesis and preservation. In regard to synthesis, one musical world is filtered through the other from a variety of angles and proportions (and vice versa). In regard to preservation, the piece recognizes that commingling sometimes has the unfortunate by-product of dulled edges. Thus, the piece presents gestures as if in their natural habitats. The extent to which the music preserves these habitats speaks to the gestures themselves as well as the surrounding contexts (that which is implicit in and external to the piece). Almost all of the music is generated from the same progression / theme, creating unity among a diverse group of elements.